Corey Craft is Sidewalk’s Lead Features Programmer and co-host of our Sidetalks podcast.
Nominations for the 94th Academy Awards are quickly approaching, and as usual, a few films we played at the Sidewalk Film Center + Cinema were in the mix.
The science-fiction epic Dune received 10 nominations — second only to Jane Campion’s psychosexual Western The Power of the Dog, which received 12. You may have seen director Denis Villeneuve’s adaptation of the Frank Herbert novel at Sidewalk back in October. Hopefully, you saw it on a big screen somewhere; its unparalleled (and Oscar-nominated) cinematography, visual effects, and sound add up to a grand spectacle particularly designed for theaters.
Did you catch Drive My Car back in January? The tender Japanese drama from director Ryusuke Hamaguchi is an unexpected contender in the best picture race. Despite coming from a small distributor (the fantastic folks at Janus Films) without the big advertising dollars the studios have, and largely based on excellent word of mouth from critics and audiences, Drive My Car became the first Japanese film nominated for best picture, and Hamaguchi the first Japanese director to contend for best director since the great Akira Kurosawa was nominated in 1985 for his King Lear adaptation Ran.
Speaking of Shakespeare, The Tragedy of Macbeth was a popular ticket at Sidewalk in January, and Denzel Washington is now an Oscar nominee for his thunderous lead performance in Joel Coen’s brilliant reimagining. This is Washington’s 10th Oscar nomination. But receiving her first is Kristen Stewart, so gripping as a tormented Princess Diana in Spencer. We played director Pablo Larrain’s biopic-as-psychological-thriller back in November, where its unpredictable story was particularly captivating on the big screen.
And you may have caught two of the year’s biggest documentaries at Sidewalk. Summer of Soul (…or, When the Revolution Could Not Be Televised), director Questlove’s brilliant music documentary about the 1969 Harlem Cultural Festival, was a popular selection at the cinema and the 2021 Sidewalk Film Festival, where it played in the beautiful Lyric Theatre. And we just closed our run of Flee, the innovative animated documentary that tells the story of a gay Afghan refugee’s coming of age. Flee popped up as a nominee in the categories of best-animated feature, best international feature, and best documentary feature — a historic hat trick.
Finally, best international feature and best original screenplay nominee The Worst Person in the World. The charming and inventive Norwegian romantic comedy, one of the most surprising films of 2021 played as part of our Women In Film Week.
Join us at Sidewalk on Sunday, March 27, to watch the Academy Awards! We’ll be hosting a watch party along with a FREE, LIVE Academy-Award Edition Podcast recording of Sidetalks, the official, film-centric podcast of Sidewalk Film. RSVP here.
Women in the film industry are grossly underrepresented (and undercompensated). In 2020, 78.9% of movie directors of theatrical films were male and as recently as 2014 a disgusting 95.7% of theatrical movie directors were men. And yet, look at the list of amazing films directed by women in just the past couple of years: PROMISING YOUNG WOMAN, NOMADLAND, ONE NIGHT IN MIAMI, CODA, THE LOST DAUGHTER, PORTRAIT OF A LADY ON FIRE, THE POWER OF THE DOG and ZOLA! That’s just to name a few.
These statistics don’t surprise me, when I was in film school at The Savannah College of Art and Design (acknowledging that’s been more than a minute), I was one of only 6 female film majors out of over 200. The women in the program were, by far, the hardest working, the most passionate and, dare I say, produced the best work in the department (well except for Pam). Considering the statistics, the history and the barriers to entry (a whole other story), it’s no surprise that the average trip to the theater doesn’t include a ton of options for seeing movies led by female filmmakers. At the Sidewalk Cinema, we work to consistently highlight work by underrepresented filmmakers. For National Women’s History Month, Sidewalk presents a full week of programming celebrating just some of the most brilliant recent work by female filmmakers, as well as several exceptional repertoire selections.
Pointing out a few of the brilliant options in the Women In Film Week line-up:
Don’t miss the chance to see Academy Award nominee THE POWER OF THE DOG on the big screen, directed by Jane Campion (the first woman to be nominated for the Academy Award for Best Director twice) and featuring glorious cinematography by female director of photography, Ari Wegner. THE POWER OF THE DOG has been nominated for 12 Academy Awards.
Written and directed by Joanna Hogg and starring Honor Swinton Byrne and Tilda Swinton, we’re honored to include THE SOUVENIR and THE SOUVENIR PART II in the Women In Film Week series. Both films are semi-autobiographical accounts of Hogg’s London film school experiences. In a meta fashion typical of Swinton, Hogg and Tilda Swinton have known each other since Hogg’s mid-1980s film school days and her short student film, CAPRICE, starred a then-unknown Tilda Swinton.
We’re incredibly excited about the opportunity to celebrate female friendship with the fun Friday night double feature of GIRLS TRIP and BRIDESMAIDS (with bottomless champagne)! Written by Erica Rivinoja, Kenya Barris & Tracy Oliver, GIRLS TRIP is the first film written, produced, directed, and starring Black creators and actors to cross the $100-million mark. While female-led comedies are consistently considered risky financial endeavors, BRIDESMAIDS is the most financially successful Judd Apatow production. Written by Kristen Wiig and Annie Mumolo, the film was a game-changer regarding the successful financing of future female-led comedies. It’s also really fun to watch while considering this: Melissa McCarthy based the look and characterization of Megan on Guy Fieri.
Highlighting the work of the legendary Polly Platt, who was never provided the opportunity to direct (or at least has never been credited as such), we’re offering a Polly Platt double feature with two of her most indelible contributions to production design, TERMS OF ENDEARMENT and THE WITCHES OF EASTWICK. Many claim that, while married to Peter Bogdonavich, Platt was actually responsible for the directorial vision of his early work, including THE LAST PICTURE SHOW and PAPER MOON, and that such explains the nosedive Bogdonavich’s post-Platt filmwork took. Beyond her contribution as a writer, producer, and director, Platt was known for being the driving force behind getting numerous iconic films made, as well as for the elements that made them truly iconic. Oh, and she’s also responsible for THE SIMPSONS. Consistently overshadowed throughout her career, we’re excited to shine a light on Polly Platt’s visionary work. For more on the incredible life of Polly Platt, it’s highly encouraged to pre-game the double feature by listening to the wonderful YOU MUST REMEMBER THIS podcast mini-series. “POLLY PLATT: THE INVISIBLE WOMAN.”
Plus there’s: THE RESCUE, from the directors of Academy Award-winning FREE SOLO, Elizabeth Chai Vasarhelyi, and Jimmy Chin. The documentary traces the 2018 Tham Luang cave rescue mission that saved a football team from an underwater cave. JULIA, the amazing Julia Child biographical documentary directed by Julie Cohen and Betsy West. LADY BUDS the documentary that tells the story of “six courageous women who come out of the shadows of the cannabis underground to forge a path to legalization”, directed by Chris J. Russo. WHO WE ARE: A CHRONICLE OF RACISM IN AMERICA that interweaves archival footage and interviews, along with former ACLU Deputy Legal Director Jeffery Robinson’s personal story, to explore the legacy of white supremacy in the U.S. and the responsibility to overcome it, directed by sisters Emily and Sarah Kunstler. The Women Adventure Film Tour features outdoor short films focused on female adventurers. The Sundance premiere, PASSING, Rebecca Hall’s directorial debut, based on the novel of the same name… and more!
Join us at Sidewalk for Women In Film Week to celebrate just a tiny selection of the enormous contributions made by women in the film industry despite the odds. Then join us throughout the year to celebrate the brilliant work of female filmmakers that we frequently spotlight.
Sidewalk Film Center + Cinema announced today a recent internal restructure, including four new hires and seven staff promotions.
“These internal additions and shifts will enhance our team’s abilities to execute and deliver on multiple Film Center + Cinema activations planned for the Birmingham community this year,” says Sidewalk Film Center + Cinema Executive Director, Chloe Cook.
New Sidewalk Film Center + Cinema staff include:
Nick Adrian, Marketing Manager
Jessica Chriesman, Director of Education and Outreach
Patrick Johnson, Programming Team Member
Meryem Tunagar, Programming Team Member
Existing Sidewalk Film Center + Cinema staff receiving internal promotions include:
Desteni Clifton, promoted from Bartender to Lead Bartender and Concessionaire
Sam Eddins, promoted from Tech Director to Director of Film Exhibition
Casey Engelbrecht, promoted from Marketing Manager to Director of Operations
Tonya Fleming, promoted from Box Office Associate to Box Office and Office Manager
T. Marie King, promoted from Shorts Programmer to Lead Shorts Programmer and Black Lens Programmer
Danielle Muratorri, promoted from Special Events Manager to House and Events Manager
Catherine Wright, promoted from Development Coordinator to Director of Development
“As we look to how we as an organization want to grow and succeed in 2022, we know none of that progress is possible without a committed team to lead all efforts,” Cook said. “Our future is definitely made brighter by these staff changes, and we look forward to what’s next together.”
We’re excited to announce the Sidewalk Cinema’s first ever late night movie series, Midnight Madness! We’ll have a different culty, fun film on the screen at midnight one weekend night a month.
When I was in high school, every Saturday night the little cinema by Century Plaza Mall had a longstanding midnight screening of THE ROCKY HORROR PICTURE SHOW. This allowed my curfew to be 2:30am on Saturday nights! The screenings were always over-the-top fun and somehow felt special every time. It was pretty much the best thing ever. When I lived in New York, Two Boots Theatre (and pizza) for years had a standing Friday midnight screening of DONNIE DARKO. There were at least a half dozen die-hard Darko fans (and assumed cinema completists) who attended every single Friday night – it was always a memorable trip to the cinema and truly the best kind of otherworldly. The series was iconic and when Two Boots closed, they ended on a Friday midnight DONNIE DARKO screening. We’re hoping to capture even a little bit of the old school Birmingham, Two Boots midnight movie magic.
Sidewalk’s Midnight Madness series kicks off with DONNIE DARKO on February 26th. Check out the rest of the lineup and join us – we’ll have coffee and cocktails waiting!
(Showtimes and tickets for additional titles will be added soon.)
February 2/26
Donnie Darko (2001)
March
The Rocky Horror Picture Show (1975)
April
April Fool’s Day (1986)
May
Rock-N-Roll High School (1979)
June
Troll 2 (1990)
July
Roadhouse (1989)
August
The Room (2003)
September
Serial Mom (1994)
October
The Wicker Man (1973 ?)
November
Krush Groove (1985)
December
Silent Night, Deadly Night (1984)
Note: January was Mad Max (1979)
(If you’re in high school and want to attend, I’ll buy your ticket – email [email protected] for free ticket and extended curfew!)
Sidewalk Film is now accepting applications for Summer (June-August) 2025 interns.
Please note, due to the volume of intern applications we receive, we do not necessarily respond to all applicants.
Applicants who are selected will be notified by June 1, 2025.
The following internship positions will be available
Festival Film Traffic and Programming Intern
Operations Intern
Development Intern (All terms)
Box Office Intern
Marketing Intern
We are happy to work with students who are completing an internship for school credit as well as those who are not required to complete an internship as a part of their degree program. Internships are open to undergraduate and graduate students from any college or university. Film knowledge is a plus, but not a requirement for our 2025 internships.
All internships will require a minimum of 16 hours per week and open availability during our festival (August 18 – 24, 2025).
All interns receive a stipend based on their individual schedule and term of commitment.
In order to be considered for a Sidewalk Film internship, you must complete the basic application here, and submit a resume and recommendation letter. Applicants who do not complete all three steps will not be considered.
General Expectations:
We expect all interns, regardless of their specific role, to exhibit professionalism, punctuality, dependability and attention to detail.
Specific Expectations Per Role:
Festival Film Traffic and Programming Intern (great for someone who is interested in film/film programming/critique, data management)
Assist Technical Director with festival film traffic, communication with filmmakers, programming staff, and marketing staff. Data entry, use of Microsoft Word and Excel will be required. This is NOT a programming position in which you will be selecting films for the Festival. Film knowledge is a plus, but not a requirement.
Festival Box Office Intern (great for someone who is interested in theater operations, customer service, computer information systems or data analysis)
Assist Box Office staff with customer service, ticket sales transactions, data entry and management, oversight of Festival volunteers. Comfort with both computers and people (in person and over the phone) is essential.
Operations Intern (great for someone interested in event planning and management, business operations and logistics)
Assist Director of Operations with Festival and Cinema production including note taking, placing orders, making deliveries, supply inventory and organizing, and communicating with festival staff and volunteers.
FILLED FOR 2025: Education/Outreach Intern (great for someone interested in education, non-profit management, or event planning)
Assist EDO Director with the planning, marketing, and implementation of Sidewalk’s existing and upcoming educational programs. These programs include Filmmaker Happy Hour, Salon, Tech + Technique, Scramble, Youth Board, Sidewrite, Sidewalk Lab, Filmmaker Grants, Book + Film Club, Beyond the Screen, and more. The ideal candidate will be looking for experience in the education, nonprofit, or event planning fields. Film Studies and/or Film Production knowledge is preferred.
Marketing/Social Media Intern (great for someone interested in social media marketing or non-profit communications)
Assist Marketing Coordinator develop social media strategies, draft content for all social platforms, interact with followers by responding to comments and DMs, data analysis. Excellent writing/editing skills and understanding of social media platforms is essential.
Development Intern (great for someone interested in fundraising, non-profit management)
Assist the Development Director with communication (written, email, phone) to members, donors, sponsors and government officials as needed, assist with fundraising event planning, research, data entry, basic understanding of Airtable and PatronManager/Salesforce a huge plus.
The pandemic has been tough on us all – even for those who didn’t personally contract COVID-19 or have to care for someone with COVID-19, the disruption of life and this “new normal” have required some adjustment (and readjustment) of all our lives. While many adults lost jobs, had to move and had to supervise their children’s remote learning, teenagers have also been especially hard hit. From the more obvious drawbacks of a lack of social outlets to missing out on milestones they may have looked forward to their whole lives, such as in-person graduation or prom, teenagers have had an especially tough year.
This is part of the reason we created the Teen Video Challenge – we wanted to give them a voice to share how the pandemic has affected them in a creative way. One year on, we decided to bring back the challenge – Birmingham area high school students were challenged to create a short video (could be any style, we encouraged them to be creative!) about what mattered most to them during the pandemic. The winners of the Challenge would receive a small stipend and have their films showcased at the 2021 Sidewalk Film Festival.
The winners of the 2021 Teen Video Challenge are Chris Chaei, who submitted a documentary-style project about how the pandemic affected his creative work, and Miriam Anderson and Kelan Millican, who took a more lyrical approach with their project, Terra. You can see both of these films at the 2021 Sidewalk Film Festival, August 23-29 in downtown Birmingham. Exact showtimes for these projects will be announced later in July. This is just another reason to make your plans to get your festival passes now. Congratulations to our winners!
2021 Sundance Film Festival x Sidewalk Satellite Screen is sponsored by Alabama Allergy & Asthma Center
Sidewalk is excited to participate as an official Satellite Screen Partner for the 2021 Sundance Film Festival.
Join us in Downtown Birmingham January 28 – February 3 at our Cinema and our Starlite Pop-Up Drive-In. Tickets go on sale to the public Jan. 8.
Latest additions:
Judas and the Black Messiah / Narrative (Directed by Shaka King) — Fred Hampton’s cathartic words “I am a revolutionary” became a rallying call in 1969. As chairman of the Illinois chapter of the Black Panther Party, Hampton demanded all power to the people and inspired a growing movement of solidarity, prompting the FBI to consider him a threat and to plant informant William O’Neal to infiltrate the party. Judas and the Black Messiah not only recounts Hampton’s legacy and the FBI’s conspiring but also gives equal footing to the man who became infamous for his betrayal—highlighting the systems of inequality and oppression that fed both of their roles. Get Tickets
Son of Monarchs / Narrative (Directed by Alexis Gambis) — Enchanted by the monarch butterflies of Michoacán, Mexico, since he was a child, Mendel dedicates his career as a scientist in New York to mapping out the monarch’s genetics. But he is haunted by flashbacks of being orphaned alongside his older brother, Simon, when their parents died in a flood. When Mendel travels home to attend the funeral of his grandmother, it’s clear Simon harbors deep resentment toward him for having left. Migrating back and forth between Mexico and New York, Mendel starts to neglect his new girlfriend and grows spiritually restless as he obsesses over the iconic butterfly. Then he confronts his brother about what really happened the night their parents died. Get Tickets
Beasts of the Southern Wild (2012) / Narrative (Directed by Benh Zeitlin) — Highlighting one of the most successful films to premiere at the Sundance Film Festival, Sidewalk presents a special drive-in screening of the 2012 film BEASTS OF THE SOUTHERN WILD directed by Sidewalk alum Benh Zeitlin. Nearing its 10 year anniversary, BEASTS OF THE SOUTHERN WILD was shot in Terrebonne Parish, Montegut and New Orleans Louisiana
Synopsis: Faced with both her hot-tempered father’s fading health and melting ice-caps that flood her ramshackle bayou community and unleash ancient aurochs, six-year-old Hushpuppy must learn the ways of courage and love. Get Tickets
Mrs. Doubtfire (1993) Live Score Drive-In Party / An alternate soundtrack to the 1993 film MRS. DOUBTFIRE will be performed live at the drive-in by DJ Hollywood. The film will be captioned along with the live score which will be broadcast via your car radio. This event is free, but registration is required.
Censor / United Kingdom (Director: Prano Bailey-Bond, Screenwriters: Prano Bailey-Bond, Anthony Fletcher, Producer: Helen Jones) — When film censor Enid discovers an eerie horror that speaks directly to her sister’s mysterious disappearance, she resolves to unravel the puzzle behind the film and its enigmatic director – a quest blurring the lines between fiction and reality in terrifying ways. Cast: Niamh Algar, Nicholas Burns, Vincent Franklin, Sophia La Porta, Adrian Schiller, Michael Smiley. World Premiere.
The Most Beautiful Boy in the World / Sweden (Directors: Kristina Lindström, Kristian Petri, Producer: Stina Gardell) — Swedish actor/musician Björn Andresen’s life was forever changed at the age of 15, when he played Tadzio, the object of Dirk Bogarde’s obsession in Death in Venice – a role which led Italian maestro Luchino Visconti to dub him “the world’s most beautiful boy.” World Premiere
Cryptozoo / U.S.A. (Director and Screenwriter: Dash Shaw, Producers: Kyle Martin, Jane Samborski, Bill Way, Tyler Davidson) — As cryptozookeepers struggle to capture a Baku (a legendary dream-eating hybrid creature) they begin to wonder if they should display these rare beasts in the confines of a cryptozoo, or if these mythical creatures should remain hidden and unknown. Cast: Lake Bell, Michael Cera, Angeliki Papoulia, Zoe Kazan, Peter Stormare, Grace Zabriskie. World Premiere
In The Earth / United Kingdom (Director and Screenwriter: Ben Wheatley, Producer: Andy Starke) — As a disastrous virus grips the planet, a scientist and a park scout venture deep into the forest for a routine equipment run. Through the night, their journey becomes a terrifying voyage through the heart of darkness as the forest comes to life around them. Cast: Joel Fry, Ellora Torchia, Hayley Squires, Reece Shearsmith. World Premiere, Narrative
R#J / U.S.A. (Director: Carey Williams, Screenwriters: Carey Williams, Rickie Castaneda, Alex Sobolev, Producers: Timur Bekmambetov, Igor Tsay, John J. Kelly, Alex Sobolev, Anna Soboleva) — A re-imagining of Romeo and Juliet, taking place through their cell phones, in a mash-up of Shakespearean dialogue with current social media communication. Cast: Camaron Engels, Francesca Noel, David Zayas, Diego Tinoco, Siddiq Saunderson, Russell Hornsby. World Premiere
Passing / U.S.A. (Director and Screenwriter: Rebecca Hall, Producers: Forest Whitaker, Nina Yang Bongiovi, Margot Hand, Rebecca Hall) — Two African-American women who can “pass” as white choose to live on opposite sides of the color line in 1929 New York in an exploration of racial and gender identity, performance, obsession and repression. Based on the novella by Nella Larsen. Cast: Tessa Thompson, Ruth Negga, André Holland, Alexander Skarsgård, Bill Camp. World Premiere
Misha and the Wolves / United Kingdom, Belgium (Director and Screenwriter: Sam Hobkinson, Producers: Poppy Dixon, Al Morrow, Matthew Wells, Gregory Zalcman, Jürgen Buedts) — A woman’s Holocaust memoir takes the world by storm, but a fallout with her publisher-turned-detective reveals her story as an audacious deception created to hide a darker truth. World Premiere
Hive / Kosovo, Switzerland, Macedonia, Albania (Director and Screenwriter: Blerta Basholli, Producers: Yll Uka, Valon Bajgora, Agon Uka) — Fahrije’s husband has been missing since the war in Kosovo. She sets up her own small business to provide for her kids, but as she fights against a patriarchal society that does not support her, she faces a crucial decision: to wait for his return, or to continue to persevere. Cast: Yllka Gashi, Çun Lajçi, Aurita Agushi, Kumrije Hoxha, Adriana Matoshi, Kaona Sylejmani. World Premiere.
Jockey / U.S.A. (Director: Clint Bentley, Screenwriters: Clint Bentley, Greg Kwedar, Producers: Clint Bentley, Greg Kwedar, Nancy Schafer) — An aging jockey is determined to win one last championship, but his dream is complicated when a young rookie shows up claiming to be his son. Cast: Clifton Collins Jr., Molly Parker, Moises Arias. World Premiere
Mother Schmuckers / Belgium (Directors and Screenwriters: Lenny Guit, Harpo Guit, Producers: David Borgeaud, Erika Meda) — Issachar & Zabulon, two brothers in their twenties, are supremely stupid and never bored, as madness is part of their daily lives. When they lose their mother’s beloved dog, they have 24 hours to find it – or she will kick them out. Cast: Harpo Guit, Maxi Delmelle, Claire Bodson, Mathieu Amalric, Habib Ben Tanfous. World Premiere
Coming Home in the Dark / New Zealand (Director: James Ashcroft, Screenwriters: Eli Kent, James Ashcroft, Producers: Mike Minogue, Catherine Fitzgerald, Desray Armstrong) — A family’s outing descends into terror when teacher Alan Hoaganraad, his wife Jill and stepsons Maika and Jordon explore an isolated coastline. An unexpected meeting with a pair of drifters, the enigmatic psychopath Mandrake and his accomplice Tubs, thrusts the family into a nightmare when they find themselves captured. Cast: Daniel Gillies, Erik Thomson, Miriama McDowell, Matthias Luafutu. World Premiere
Life in a Day 2020 / United Kingdom, U.S.A. (Director: Kevin Macdonald, Producers: Jack Arbuthnott, Tim Partridge) — An extraordinary, intimate, global portrait of life on our planet, filmed by thousands of people across the world, on a single day: 25th July 2020. World Premiere
Philly D.A. / U.S.A. (Created By: Ted Passon, Yoni Brook, Nicole Salazar, Producers: Ted Passon, Yoni Brook, Nicole Salazar, Josh Penn, Michael Gottwald) — A groundbreaking inside look at the long shot election and tumultuous first term of Larry Krasner, Philadelphia’s unapologetic District Attorney, and his experiment to upend the criminal justice system from the inside out. World Premiere, Episodic Documentary
Night of the Kings / France, Ivory Coast, Canada, Senegal (Director and Screenwriter: Philippe Lacôte, Producers: Delphine Jaquet, Yanick Létourneau, Ernest Konan, Yoro Mbaye) — A young man is sent to La Maca, a prison on the Ivory Coast in the middle of the forest ruled by its prisoners. With the red moon rising, he is designated by the Boss to be the new “Roman” and must tell a story to the other prisoners. Cast: Koné Bakary, Steve Tientcheu, Digbeu Jean Cyrille, Rasmané Ouédraogo, Issaka Sawadogo, Denis Lavant.
2021 Sundance Film Festival Will Meet Audiences Where They Are
Festival Offers Robust Online Platform and Announces Screening Partnerships with Independent Cinemas and Cultural Organizations
PARK CITY, UTAH— The nonprofit Sundance Institute today unveiled plans for the seven-day 2021 Sundance Film Festival, offered digitally via a custom-designed online platform (festival.sundance.org) alongside drive-ins, independent arthouses, and a network of local community partnerships. The online expression of the Sundance Film Festival will provide global access for storytellers and audiences alike to come together, experience artists new work, connect with one another, and participate in conversation. All films in the program will be available online in the United States, with certain films opting for global availability. The full talks and events program, as well as the New Frontier section for XR and emerging media, will be available globally. The Festival runs January 28 through February 3, 2021.
“Even under these impossible circumstances artists are still finding paths to make bold and vital work in whatever ways they can,” says Tabitha Jackson, in her first year as Festival Director. “So Sundance, as a festival of discovery, will bring that work to its first audiences in whatever ways we can. The core of our Festival in the form of an online platform and socially distanced cinematic experiences is responsive to the pandemic and gives us the opportunity to reach new audiences, safely, where they are. And thanks to a constellation of independent cinema communities across the U.S. we are not putting on our Festival alone. At the heart of all this is a belief in the power of coming together, and the desire to preserve what makes a festival unique — a collaborative spirit, a collective energy, and a celebration of the art, artists, and ideas that leave us changed.”
“Our Festival footprint has changed this year, but we are excited to bring an incredible community together in new ways to engage with new artists and new stories — whether they’re joining us for the first year or have been for decades,” said Sundance Institute Executive Director Keri Putnam. “Our ambition is for everyone to come together, safely, wherever they may be, and participate in screenings on our platform at the same time. The Sundance team has consulted with artists, worked with incredible partners, and built a plan to welcome new audiences and capture a true Festival spirit.”
FEATURE FILMS
As at past Sundance Film Festivals, films will premiere throughout the day, with Day One films set to debut Thursday, January 28, at 6 p.m. U.S. Mountain Time. During the 2021 Festival, each of the 70+ feature films will premiere online in a dedicated time slot, followed by a live Q&A. Multiple films will premiere simultaneously roughly every three hours from 10 a.m. to 10 p.m. U.S. Mountain Time. This rollout is designed to preserve the energy of a Festival, with an abundance of choices and collective experiences, as audiences can begin the film simultaneously, and participate in the live Q&A which follows (viewers can also begin films any time within three hours of their premiere’s start). All films will return to the platform two days after their premiere for a “second screening,” offered on demand for 24 hours. The platform’s movie player is powered by Shift72 and developed with best-in-industry security and access practices. In a Festival first, the entire 70+-feature lineup on the platform will be closed-captioned on demand, and Q&As will be live-captioned.
SHORT FILM, INDIE SERIES PROGRAMS
The Short Film and Indie Series (formerly Indie Episodic) programs, focused on creative storytelling outside the feature format, will include 50 short films and world premieres of four episodic works. These will be available on demand on the Festival platform for the full length of the Festival.
NEW FRONTIER
Since its launch, the Sundance Film Festival’s New Frontier has served as a showcase for dynamic, innovative work at the crossroads of film, art, and technology — and 2021 is no exception, with 14 works in the program. For the first time ever, adventurous audiences around the world will be given the chance to engage with the works, the artists, and each other via a bespoke virtual platform, accessible via computer and VR headsets. The New Frontier Gallery hosts the complete slate of live performances, AR, VR, and other emerging media works. Cinema House is the Festival’s fully immersive, big-screen theater, and Film Party is an interactive social space where the entire community of accredited Festivalgoers can safely gather together again. The environment also features interactive tools such as proximity audio and video chat.
SATELLITE SCREENS
Expanding beyond its Utah home, the Festival has created a network of partnerships to bring feature films and customized local programming — talks, events, artist meet-ups — to communities across the country. In addition to these Satellite Screen partnerships, the Institute will program screenings at The Ray in Park City and the Rose Bowl and Mission TikiDrive-Ins in Los Angeles, health and safety guidelines permitting. Each Satellite Screen will create and host their own events, sharing local cultural conversations with broader Festival audiences, with most also screening selections from the 2021 program.
“These partners are the backbone of independent artistic communities across the country, where filmmakers are born and cinephiles are developed,” said Jackson. “We’re entering these partnerships because a healthy ecosystem for artists and audiences requires that independent cinemas across the country survive and thrive.”
Programming details for films at these screens will be available when the program is announced later this month, and these plans will evolve in conjunction with the COVID-19 pandemic health and safety guidelines. Participating U.S. partner organizations and locations include:
Alabama: Birmingham with Sidewalk Film Festival
Sidewalk Film Center, Sidewalk Drive-In
Arizona: Tucson with The Loft Cinema
The Loft Open Air Cinema
California:
Montclair with American Cinematheque
Mission Tiki Drive-In
Pasadena withthe Rose Bowl
Rose Bowl Drive-In
San Francisco with The Roxie Theater
Roxie Theater, Fort Mason Drive-In
Colorado: Denver with Denver Film
Sie FilmCenter
Florida:
Key West with Tropic Cinema
Tropic Cinema, The Key West Lighthouse, The Truman Little White House, The Ernest Hemingway House and Museum
Miami with Third Horizon and O Cinema
New World Symphony SoundScape Park and South Miami-Dade Cultural Arts Center
Georgia:
Atlanta with Atlanta Film Society
The Plaza Theater, Plaza Drive-In, Dad’s Garage Drive-In
Macon with Macon Film Festival
Douglass Theatre
Hawaii: Honolulu with Doris Duke Theatre at the Honolulu Museum of Art (HoMA)
Iowa: Iowa City with FilmScene
FilmScene at The Chauncey
Kansas: Wichita with mama.film
mama.film microcinema, Wichita Art Museum, Groover Labs
Kentucky: Louisville with TheSpeed Art Museum
Speed Art Museum
Louisiana: New Orleans with New Orleans Film Society
The Broad Theater
Maryland: Baltimore with Maryland Film Festival
Stavros Niarchos Foundation Parkway Theater
Massachusetts: Brookline with Coolidge Corner Theatre
Coolidge Corner Theatre
Michigan: Detroit with Cinema Detroit
Minnesota: Minneapolis-St. Paul with FilmNorth
Riverview Theater
New York: Pleasantville with Jacob Burns Film Center
Jacob Burns Film Center & Media Arts Lab
Ohio: Columbus with Gateway Film Center
Gateway Film Center
Oklahoma: Tulsa with Circle Cinema
Circle Cinema, Circle Cinema Drive-In, Admiral Twin Drive-In, Philbrook Museum, OSU-Tulsa, Tulsa University, Gilcrease Museum
Pennsylvania: Philadelphia with BlackStar Film Festival
Puerto Rico: San Juan with Asociación de Documentalistas de Puerto Rico (AdocPR)
Museo de Arte de Puerto Rico (MAPR)
South Carolina: Columbia with The Luminal Theater
Spotlight Cinemas Capitol 8
Tennessee:
Memphis with Indie Memphis
Malco Summer Drive-In
Nashville with Belcourt Theatre
Belcourt Theatre
Texas:
Austin with Austin Film Society
AFS Cinema
Dallas with Aviation Cinemas
Texas Theatre
Houston with Houston Cinema Arts Society
MoonStruck Drive-In, DeLUXE Theater
Utah:
Park City
The Ray
Salt Lake City with Salt Lake Film Society
Washington:
Seattle with Northwest Film Forum
THE PLATFORM:
One of the fundamental values of the Festival is gathering: it’s a place where a global community of independent artists can convene for a generative and open exchange of ideas. This year, that will take place on the platform’s Festival Village, a free-to-all space where Satellite Screens, partners, and Festival sponsors will host a wide range of events, programming, and offerings to complement and enrich the official program. The platform’s Main Street will act as both an homage to the iconic Park City thoroughfare and as an extension of the Festival’s core programming, featuring digital partner spaces hosting conversations, musical performances, and more. The Artist Lounge will feature a space for creators to gather for artist programming, as well as for the Festival’s Class of ’21 to network and celebrate at private events.
TICKETING DETAILS
Tickets and passes for those who want to experience the Festival for the full run, a single day, or a single screening will be available to the general public beginning January 7; further details will be available later this month. For more information, sign up at Festival.Sundance.org.
The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Clemency, Never Rarely Sometimes Always, Zola, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, Whiplash, Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth, Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs,and sex, lies, and videotape. The Festival is a program of the non-profit Sundance Institute. 2021 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire, Adobe; Leadership Sponsors – Amazon Studios, AT&T, DoorDash, Dropbox, Netflix, Omnicom Group, Southwest Airlines® , WarnerMedia; Sustaining Sponsors – AMC, Audible, Canada Goose, Canon U.S.A., Inc., Dell Technologies, Documentary Plus, GEICO, IMDbPro, Stella Artois® , Unity Technologies, University of Utah Health, White Claw Hard Seltzer, Zoom; Media Sponsors – The Atlantic, IndieWire, Los Angeles Times, The New York Times, NPR, Variety, Vulture, The Wall Street Journal. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. sundance.org/festival
Sundance Institute
As a champion and curator of independent stories for the stage and screen, the nonprofit Sundance Institute provides and preserves the space for artists in film, theater, film composing, and digital media to create and thrive. Founded in 1981 by Robert Redford, the Institute’s signature Labs, granting, and mentorship programs which are dedicated to developing new work and take place throughout the year in the U.S. and internationally, are supported largely through contributed revenue.Sundance Co//ab, a digital community platform, brings artists together to learn from each other and Sundance Advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discover original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported such projects as Clemency, Never Rarely Sometimes Always, Zola, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, City So Real, Top of the Lake, Between the World & Me, Wild Goose Dreams and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.
The Films:
Censor / United Kingdom (Director: Prano Bailey-Bond, Screenwriters: Prano Bailey-Bond, Anthony Fletcher, Producer: Helen Jones) — When film censor Enid discovers an eerie horror that speaks directly to her sister’s mysterious disappearance, she resolves to unravel the puzzle behind the film and its enigmatic director – a quest blurring the lines between fiction and reality in terrifying ways. Cast: Niamh Algar, Nicholas Burns, Vincent Franklin, Sophia La Porta, Adrian Schiller, Michael Smiley. World Premiere.
The Most Beautiful Boy in the World / Sweden (Directors: Kristina Lindström, Kristian Petri, Producer: Stina Gardell) — Swedish actor/musician Björn Andresen’s life was forever changed at the age of 15, when he played Tadzio, the object of Dirk Bogarde’s obsession in Death in Venice – a role which led Italian maestro Luchino Visconti to dub him “the world’s most beautiful boy.” World Premiere
Cryptozoo / U.S.A. (Director and Screenwriter: Dash Shaw, Producers: Kyle Martin, Jane Samborski, Bill Way, Tyler Davidson) — As cryptozookeepers struggle to capture a Baku (a legendary dream-eating hybrid creature) they begin to wonder if they should display these rare beasts in the confines of a cryptozoo, or if these mythical creatures should remain hidden and unknown. Cast: Lake Bell, Michael Cera, Angeliki Papoulia, Zoe Kazan, Peter Stormare, Grace Zabriskie. World Premiere
In The Earth / United Kingdom (Director and Screenwriter: Ben Wheatley, Producer: Andy Starke) — As a disastrous virus grips the planet, a scientist and a park scout venture deep into the forest for a routine equipment run. Through the night, their journey becomes a terrifying voyage through the heart of darkness as the forest comes to life around them. Cast: Joel Fry, Ellora Torchia, Hayley Squires, Reece Shearsmith. World Premiere, Narrative
R#J / U.S.A. (Director: Carey Williams, Screenwriters: Carey Williams, Rickie Castaneda, Alex Sobolev, Producers: Timur Bekmambetov, Igor Tsay, John J. Kelly, Alex Sobolev, Anna Soboleva) — A re-imagining of Romeo and Juliet, taking place through their cell phones, in a mash-up of Shakespearean dialogue with current social media communication. Cast: Camaron Engels, Francesca Noel, David Zayas, Diego Tinoco, Siddiq Saunderson, Russell Hornsby. World Premiere
Passing / U.S.A. (Director and Screenwriter: Rebecca Hall, Producers: Forest Whitaker, Nina Yang Bongiovi, Margot Hand, Rebecca Hall) — Two African-American women who can “pass” as white choose to live on opposite sides of the color line in 1929 New York in an exploration of racial and gender identity, performance, obsession and repression. Based on the novella by Nella Larsen. Cast: Tessa Thompson, Ruth Negga, André Holland, Alexander Skarsgård, Bill Camp. World Premiere
Misha and the Wolves / United Kingdom, Belgium (Director and Screenwriter: Sam Hobkinson, Producers: Poppy Dixon, Al Morrow, Matthew Wells, Gregory Zalcman, Jürgen Buedts) — A woman’s Holocaust memoir takes the world by storm, but a fallout with her publisher-turned-detective reveals her story as an audacious deception created to hide a darker truth. World Premiere
Hive / Kosovo, Switzerland, Macedonia, Albania (Director and Screenwriter: Blerta Basholli, Producers: Yll Uka, Valon Bajgora, Agon Uka) — Fahrije’s husband has been missing since the war in Kosovo. She sets up her own small business to provide for her kids, but as she fights against a patriarchal society that does not support her, she faces a crucial decision: to wait for his return, or to continue to persevere. Cast: Yllka Gashi, Çun Lajçi, Aurita Agushi, Kumrije Hoxha, Adriana Matoshi, Kaona Sylejmani. World Premiere.
Jockey / U.S.A. (Director: Clint Bentley, Screenwriters: Clint Bentley, Greg Kwedar, Producers: Clint Bentley, Greg Kwedar, Nancy Schafer) — An aging jockey is determined to win one last championship, but his dream is complicated when a young rookie shows up claiming to be his son. Cast: Clifton Collins Jr., Molly Parker, Moises Arias. World Premiere
Mother Schmuckers / Belgium (Directors and Screenwriters: Lenny Guit, Harpo Guit, Producers: David Borgeaud, Erika Meda) — Issachar & Zabulon, two brothers in their twenties, are supremely stupid and never bored, as madness is part of their daily lives. When they lose their mother’s beloved dog, they have 24 hours to find it – or she will kick them out. Cast: Harpo Guit, Maxi Delmelle, Claire Bodson, Mathieu Amalric, Habib Ben Tanfous. World Premiere
Coming Home in the Dark / New Zealand (Director: James Ashcroft, Screenwriters: Eli Kent, James Ashcroft, Producers: Mike Minogue, Catherine Fitzgerald, Desray Armstrong) — A family’s outing descends into terror when teacher Alan Hoaganraad, his wife Jill and stepsons Maika and Jordon explore an isolated coastline. An unexpected meeting with a pair of drifters, the enigmatic psychopath Mandrake and his accomplice Tubs, thrusts the family into a nightmare when they find themselves captured. Cast: Daniel Gillies, Erik Thomson, Miriama McDowell, Matthias Luafutu. World Premiere
Life in a Day 2020 / United Kingdom, U.S.A. (Director: Kevin Macdonald, Producers: Jack Arbuthnott, Tim Partridge) — An extraordinary, intimate, global portrait of life on our planet, filmed by thousands of people across the world, on a single day: 25th July 2020. World Premiere
Philly D.A. / U.S.A. (Created By: Ted Passon, Yoni Brook, Nicole Salazar, Producers: Ted Passon, Yoni Brook, Nicole Salazar, Josh Penn, Michael Gottwald) — A groundbreaking inside look at the long shot election and tumultuous first term of Larry Krasner, Philadelphia’s unapologetic District Attorney, and his experiment to upend the criminal justice system from the inside out. World Premiere, Episodic Documentary
Night of the Kings / France, Ivory Coast, Canada, Senegal (Director and Screenwriter: Philippe Lacôte, Producers: Delphine Jaquet, Yanick Létourneau, Ernest Konan, Yoro Mbaye) — A young man is sent to La Maca, a prison on the Ivory Coast in the middle of the forest ruled by its prisoners. With the red moon rising, he is designated by the Boss to be the new “Roman” and must tell a story to the other prisoners. Cast: Koné Bakary, Steve Tientcheu, Digbeu Jean Cyrille, Rasmané Ouédraogo, Issaka Sawadogo, Denis Lavant.
It’s Father’s Day – Sidewalk programmers put together a list of suggested films to watch with your dad, help celebrate your dad, remember your dad, or perhaps just the opposite! We’ve included a few resources here and there as well. Happy Fathers Day.
Key:
The + means the film can be considered indie.
The * means that the film is a festival selection.
The # means the film was a cinema selection
The / means the writer and/or director was a Sidewalk Film Festival alum.
THE HEAVY HITTERS:
KRAMER VS KRAMER (1979)
The ultimate reluctant dad movie, KRAMER VS KRAMER is surprisingly complicated and, in many ways, as much about navigating the aftermath of a broken marriage as it is about parenting. KRAMER VS KRAMER was clearly a heavy influence on A MARRIAGE STORY (listed below). Starring Dustin Hoffman, Meryl Streep, and JoBeth Williams at her usual best in a memorable supporting role. “Ted Kramer’s wife leaves him, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple’s son, deepening the wounds left by the separation.”
Watch On: Vudu, Amazon Prime, YouTube, iTunes, Google Play or dust off that VHS tape
MORRIS FROM AMERICA (2016) *+
An exploration of puppy love, single parenthood, and the kind of acute “otherness” that can only be experienced by a black American young man transplanted in an all-white German town. 13-year-old Morris’ life revolves around his loving and playful father (Superstar Craig Robinson) and his hip-hop aspirations… that is until a beautiful girl takes him on a dizzying ride, landing him somewhere between lost and found. With breathtaking cinematography and characters that are complicated and flawed while remaining infectiously likable, MORRIS FROM AMERICA is a true feel-good film and features one of the best dads of the decade.
Watch On: Netflix, iTunes, Vudu, Amazon Prime, YouTube, Google Play
FORD V FERRARI
Less about focusing on a dad and more about being the ultimate stereotypical Dad Movie, FORD V FERRARI has cars and Italian cars, corporate interference, the laws of physics, a 24-hour car race and male bonding… and Christian Bale. Heavily based on a true story, the Ford Motor Company works to build a racecar that can win at the infamous Le Mans. Check out this vintage footage from the 1966 Le Mans race: https://www.youtube.com/watch?v=AdpWTLB0Y4I
Watch On: Vudu, Google Play, YouTube, Amazon Prime
RAISING ARIZONA (1987) +
You know the story, H.I. (Nicolas Cage) wants to be a dad so badly that he steals a baby – how does RAISING ARIZONA not end up on a Fathers Day watch list!? “When a childless couple of an ex-con and an ex-cop decide to help themselves to one of another family’s quintuplets, their lives become more complicated than they anticipated.” Let’s take a break for some bad parenting with this piece of trivia: Fifteen babies played the Arizona quintuplets in the film. One of the babies was fired during production when he learned to walk. The mother went so far as to put her baby’s shoes on backwards in order to prevent him from walking.
Watch On: Hulu, Vudu, Google Play, Amazon Prime, iTunes
PAPER MOON (1973)
Well this gets a little complicated… “During the Great Depression, a con man finds himself saddled with a young girl who may or may not be his daughter, and the two forge an unlikely partnership.” Ryan O’Neal plays Moses, the con man that becomes faux father to Addie, played by real-life daughter Tatum O’Neal, who won the Best Supporting Actress Academy Award for her performance at 10, making her the youngest person ever to win an Oscar. It’s rumored that the shooting process on PAPER MOON was grueling and that Tatum O’Neal would often require 50 takes. It’s also alleged that dad, Ryan, was incredibly jealous of Tatum’s Oscar win. She’s written an auto-biography calling him out for his alleged jerky ways and his quotes to the press about her are regularly cringe-worthy, all making PAPER MOON a family drama-fueled, complicated (on and off screen) dad time at the movies.
Watch On: Pluto TV, Google Play, Amazon Prime, iTunes, Vudu, YouTube
HEARTS BEAT LOUD (2018) *+
Nick Offerman plays a widower and career record storeowner whose daughter, played by the amazing Kiersy Clemons, is gearing up to start school across the country. After a song that they record as a goof goes viral, Offerman tries to persuade his daughter to form a band, both to satisfy a lifelong dream of his own and to hold on to the one lasting relationship in his life. Featuring extremely likeable original songs and a great supporting cast (Ted Danson plays a bartender!), HEARTS BEAT LOUD truly earns its reputation for being a heart-warming crowd pleaser.
Watch On: Hulu, Amazon Prime, Vudu, iTunes, YouTube, Google Play
INDIANA JONES AND THE LAST CRUSADE (1989)
“After his father Professor Henry Jones, Sr. (Sean Connery) goes missing while pursuing the Holy Grail, Professor Henry “Indiana” Jones, Jr. (Harrison Ford) finds himself up against Adolf Hitler’s Nazis again to stop them from obtaining its powers. When Sean Connery is dad to Harrison Ford and they fight Nazis, you better believe it’s a Fathers Day recommendation. Cheers!
Watch On: Netflix, Amazon Prime, Vudu, iTunes, YouTube, Google Play
HE GOT GAME +
In Spike Lee’s searing sports drama, a star high school basketball player (Ray Allen) must decide whether to commit to the NBA Draft or go to college. The pressure is compounded when his incarcerated father (Denzel Washington) is released to promote an agenda on behalf of the crooked governor. In typical Lee fashion, “He Got Game” is about a lot of stuff — but its heart is in the connection between these two men, climaxing in a one-on-one basketball game that sees the father finally release the burdens of his dreams to his son. It might be one of the more electric sequences in Lee’s entire filmography.
Watch On: Hulu, HBO, Amazon Prime, Vudu, iTunes, YouTube, Google Play
FACE /OFF (1997)
Another it’s-not-about-the-dad-it’s-about-the-dad-movie selection, we’ll use any excuse to include FACE/OFF on a rec list, but Fathers Day is clearly an easy justification. Sidewalk programmers are in support of any film that includes a “highly experimental face transplant”, but when the faces we are talking about are those of John Travolta and Nicolas Cage, it’s 100% on the list. Let’s boil things down: “In order to foil a terrorist plot, an FBI agent undergoes facial transplant surgery and assumes the identity of a criminal mastermind, who murdered his only son. The plan turns sour when the criminal wakes up prematurely and seeks revenge.” Our favorite behind the scenes pieces of trivia: “The crew shot on Nicolas Cage’s birthday. John Woo let Cage get emotionally charged up for a scene, then surprised him with a birthday cake. Afterwards, Cage asked Woo not to do that again.”
Watch On: Sling TV, Amazon Prime, Vudu, iTunes, YouTube, Google Play
ROLL BOUNCE (2005)
“In the summer of 1978, a teenager and his group of friends face new challenges when their neighborhood roller-skating rink closes, forcing them to visit a different rink.” Xavier’s mother has passed away, leaving father, Curtis, to raise Xavier and his sister, Sonya – the three help each other find their way after the loss.
Watch On: Amazon Prime, Vudu, iTunes, YouTube, Google Play
BOYZ N THE HOOD (1991) +#
Writer-director John Singleton’s breakout first feature, BOYZ N THE HOOD lands on the Fathers Day list because of the unforgettable character Furious Styles (Laurence Fishburne). Wisdom-spouting dad time! The film “follows the lives of three young males living in the Crenshaw area of Los Angeles, dissecting questions of race, relationships, violence, and future prospects.” Look at this cast: Angela Bassett, Ice Cube, Morris Chestnut, Cuba Gooding Jr., Nia Long, Regina King and, again, Laurence Fishburne.
Watch On: Hulu, Sling TV, Showtime, Amazon Prime, Vudu, iTunes, YouTube, Google Play
RED RIVER (1948)
We’ll go old school with this pick, a classic Howard Hawks Western that finds a brewing conflict between John Wayne as a maniacal cattle driver pushing a herd of thousands of cattle from Texas to Kansas, and Montgomery Clift as the surrogate son who grows to object to the older man’s domineering ways. As the tension grows, the clash between generations seems destined for an almost Biblical climax — and though Hawks’ ending is pretty deflating, it suggests the transformative power of forgiveness and collaboration.
Watch On: Hulu, Sling TV, Starz, Amazon Prime, Vudu, iTunes, YouTube, Google Play
THE NOT SO OBVIOUS (AND NOT FOR EVERYONE)
THE ICE STORM (1997) +
While not seasonally appropriate, THE ICE STORM is one of the sweetest and saddest films about family disconnection and is also, in part, a meditation on the loss of innocence and the parental realization of such. An iconic scene in which father Ben Hood (Kevin Kline) carries his daughter Wendy (Christina Ricci) home will break your heart. “In suburban New Canaan, Connecticut, 1973, middle-class families experimenting with casual sex and substance abuse find their lives beyond their control.” Gene Siskel selected THE ICE STORM as the best film of 1997.
Watch On: Amazon Prime, Vudu, iTunes, YouTube, Google Play
EAST OF EDEN (1955)
Directed by Elia Kazan, based on the novel by John Steinbeck and starring James Dean – “A wilful young man contends against his brother for the attention of their religious father while reconnecting with his estranged mother and falling for his brother’s girlfriend.” While watching EAST OF EDEN keep in mind that while shooting the Ferris wheel scene, in an effort to feel as uncomfortable as possible, James Dean refused to urinate the entire day. EAST OF EDEN is the only film that James Dean starred in that he personally viewed in its entirety, he passed away the same year the film was released.
Watch On: HBO, Amazon Prime, Vudu, iTunes, YouTube, Google Play
SAY ANYTHING (1989)
Man, oh man, is this dad misguided. While SAY ANYTHING is clearly more of a late-high school teen romance than a dad story, the father stuff is certainly the tie that binds. “A noble underachiever and a beautiful valedictorian fall in love the summer before she goes off to college” and a well-intentioned, but wrecking ball of a dad meddles, and meanders throughout. The films origin story: “Producer James L. Brooks said the movie was inspired when Brooks saw a man walking with his daughter, and wondered what would happen if the father committed a crime.”
Watch On: Amazon Prime, Vudu, iTunes, YouTube, Google Play
THE ROYAL TENENBAUMS (2001) +
Wes Anderson’s films are filled with complicated fathers or father figures, so most of his movies could theoretically show up on this list. But Gene Hackman’s indelible Royal Tenenbaum — disgraced lawyer, Western novel enthusiast and exiled paterfamilias of a family of failed geniuses — clearly takes the top prize. As Royal tries to reconnect with his ex-wife (Anjelica Huston) and children (Ben Stiller, Luke Wilson and Gwyneth Paltrow) by faking a cancer diagnosis, the Tenenbaum family grapples with its legacy and once again find resilience and comfort in their neglected family ties. And Royal isn’t an asshole — he’s just kind of a son of a bitch.
Watch On: Amazon Prime, Vudu, iTunes, YouTube, Google Play
MARRIAGE STORY (2019) +#
“Noah Baumbach’s incisive and compassionate look at a marriage breaking up and a family staying together.” Successful New York theater director Charlie Barber and his wife, actor Nicole Barber, split up and Nicole relocates with their son Henry to LA after landing a role in a TV pilot. The former couple attempt to navigate relationship fallout and parenthood from near and far.
Watch On: Netflix
RISKY BUSINESS (1983)
Anything with Thomas Cruise has dad vibes, but in this case, Mr. Cruise isn’t the dad, he’s the kid with a dad or, actually, temporarily without a dad as his parents are out of town which allows for Thomas Cruise level shenanigans. In this particular instance the folks being out of town means that you hire a sex worker and then parlay that into turning the parents house into a brothel. RISKY BUSINESS is as 1980’s time capsule as you might think (or remember), but it’s likely way edgier than your memory or imagination might conjure. Loaded with surface level symbolism, cringe-worthy inappropriateness, an amazing score and classic moments, RISKY BUSINESS is well worth a watch/re-watch and parenting and dad-isms are just heavy enough to make Fathers Day the perfect reason.
Watch On: Hulu, Cinemax, Amazon Prime, Vudu, iTunes, YouTube, Google Play
FOOTLOOSE (1984)
What do you do when your dad is the bible beating Rev. Shaw Moore who has made sure that partying, rock music and dancing has been outlined in the tiny farm town that you’re stuck in? You hook up with the hot (?), rebellious, fearless new kid in town and dance your ass off of course. Of all the films on the list FOOTLOOSE might somehow be the one with the dad who has the most broad power (well except DEVILS ADVOCATE of course). We love a good small town, strict preacher dad turn-around story, but who doesn’t?
Watch On: Amazon Prime, Vudu, iTunes, YouTube, Google Play
THE SUPER OBVIOUS
FATHER OF THE BRIDE (1991)
A remake of the 1950 film of the same name, but staring Steve Martin of course! “With his oldest daughter’s wedding approaching, a father finds himself reluctant to let go.” A classic.
Watch On: Hulu, TNT, TBS, Sling TV, Amazon Prime, Vudu, iTunes, YouTube, Google Play
NATIONAL LAMPOON’S VACATION (1983)
The classic of all classics. “The Griswold family’s cross-country drive to the Walley World theme park proves to be much more arduous than they ever anticipated.” A fun thing to watch for: At Walley World, Rusty (Anthony Michael Hall) is taller than mom, Ellen (Beverly D’Angelo) – that’s because these scenes were shot 4 months after principal photography wrapped and Hall had grown three inches during the course of production.
Watch On: fuboTV, AMC, Amazon Prime, Vudu, iTunes, YouTube, Google Play
THE PURSUIT OF HAPPYNESS (2006)
In addition to Will Smith having major dad vibes just in general, THE PURSUIT OF HAPPYNESS might be the most dad movie of all time. “A struggling salesman takes custody of his son as he’s poised to begin a life-changing professional career.” Plus real life dad Will Smith plays dad to real life son Jaden Smith.
Watch On: Netflix, Amazon Prime, Vudu, iTunes, YouTube, Google Play
FIELD OF DREAMS (1989)
If THE PURSUIT OF HAPPYNESS isn’t the most dad movie of all time then FIELD OF DREAMS definitely is. “An Iowa corn farmer, hearing voices, interprets them as a command to build a baseball diamond in his fields; he does, and the 1919 Chicago White Sox come.” Of course Iowa corn farmer is played by dad face Kevin Costner. If you’re up for a summer road trip you can visit the baseball field and farmhouse from FiELD OF DREAMS in Dyersville, Iowa. If you want to take a quick, virtual trip, there’s a web cam: https://fieldofdreamsmoviesite.com/field-cam/
Watch On: Hulu, Starz, SlingTV, Amazon Prime, Vudu, iTunes, YouTube, Google Play
TAKEN (2008)
Taken (2008) Directed by Pierre Morel Shown from left: Arben Bajraktaraj, Liam Neeson
Fighter dad time! “If you let my daughter go now, that’ll be the end of it. I will not look for you, I will not pursue you. But if you don’t: I will look for you. I will find you. And I will kill you.” Dang. Massive testosterone dad time. “A retired CIA agent travels across Europe and relies on his old skills to save his estranged daughter, who has been kidnapped while on a trip to Paris.”
Watch On: Amazon Prime, Vudu, iTunes, YouTube, Google Play
IF YOU’RE WITHOUT YOUR DAD
THE CAT AND THE MOON (2019) +*
Written and directed by HEREDITARY star Alex Wolff, teenager Nick temporarily relocates to New York to stay with his late fathers former band mate, Cal, while his mom is in rehab. During his stay, Nick makes new friends who show him what the city has to offer. Dealing with mental issues of his own, Nick quickly finds himself struggling to cope. A beautiful and at times tragic story, the film shows the complexities of teenage life in NYC.
Watch On: Vudu, Google Play, Amazon Prime, YouTube
WILLY WONKA & THE CHOCOLATE FACTORY (1971)
We’re not exactly sure what’s going on with Charlie’s home life or why so many people are piled in one bed all dang day while Charlie’s mom stirs a cauldron of soup, but we do know that Charlie’s dad isn’t around. It’s also pretty convenient that Grandpa Joe can suddenly walk when there’s a chance to visit the Chocolate Factory. Plus Wonka is possibly the most intense king of punishment and none of that dads in the film are very good at parenting, so all around there’s some pretty off the rails level dad stuff going down. You know the story: A poor but hopeful boy seeks one of the five coveted golden tickets that will send him on a tour of Willy Wonka’s mysterious chocolate factory. Here’s a “where are they now” article on the kids in WILLY WONKA: https://www.insider.com/willy-wonka-chocolate-factory-then-and-now-2016-8#many-members-of-the-cast-have-gotten-together-to-celebrate-the-movie-here-are-the-five-kids-celebrating-the-films-30th-anniversary-2
Watch On: Netflix, iTunes, Vudu, Google Play, Amazon Prime, YouTube
OBVIOUS CHILD (2014) +
When you’re straight up not ready or don’t want to be a dad (or a mom)… Directed by Gillian Robespierre and featuring Jenny Slate, OBVIOUS CHILD premiered at the 2014 Sundance Film Festival and was the talk of the 2014 festival circuit.
Watch On: Netflix, iTunes, Vudu, Google Play, Amazon Prime, YouTube
HUGO (2011)
“In 1931 Paris, an orphan living in the walls of a train station gets wrapped up in a mystery involving his late father and an automaton.” HUGO also gloriously celebrates the father of all – the father of motion pictures, Georges Méliès. Here’s a fun, quick article about Méliès: https://www.mentalfloss.com/article/72124/5-pioneering-facts-about-georges-melies
Watch On: Netflix, iTunes, Vudu, Google Play, Amazon Prime, YouTube
TREE OF LIFE (2011) +
Perhaps the most existential choice on the list (and the most Brad Pitt), “The story of a family in Waco, Texas in 1956. The eldest son witnesses the loss of innocence and struggles with his parents’ conflicting teachings.”
Watch On: Hulu, HBO, iTunes, Vudu, Google Play, Amazon Prime, YouTube
LUCKY (2017) +*
The amazing Harry Dean Stanton’s final role and in so many ways his swan song via a film. It’s dad vibes all around, but also so much more. “Lucky follows the spiritual journey of a 90-year-old atheist and the quirky characters that inhabit his off the map desert town.”
Watch On: Hulu, Vudu, Google Play, Amazon Prime, YouTube
JOSHUA (2007)
“The arrival of a newborn girl causes the gradual disintegration of the Cairn family; particularly for 9-year-old Joshua, an eccentric boy whose proper upbringing and refined tastes both take a sinister turn.” Boy oh boy does dad Brad Cairn (Sam Rockwell) really try…
Watch On: Hulu, Vudu, Google Play, Amazon Prime, YouTube, iTunes
THE STEPFATHER (1987)
This is a bit of a step in a different direction, but fitting for some. “After murdering his entire family, a man marries a widow with a teenage daughter in another town and prepares to do it all over again.” Yep. Happy Fathers Day.
Watch On: Tubi, Vudu, Google Play, Amazon Prime, YouTube
YOU THOUGHT YOUR FATHER WAS AWFUL
HONEY BOY (2019) +#
Directed by Alma Har’el, “A view of a young actor’s stormy childhood and early adult years as he struggles to reconcile with his father and deal with his mental health.” It doesn’t get much more dad than this: HONEY BOY is Shia LaBeouf’s mostly autobiographical feature, in which the focus is on his tumultuous relationship with his father and subsequent struggles with addiction. Shia plays his own father, James (in real life Jeffrey).
Watch On: Amazon Prime
STAR WARS: EPISODE V – THE EMPIRE STRIKES BACK (1980)
Worst dad ever? “After the Rebels are brutally overpowered by the Empire on the ice planet Hoth, Luke Skywalker begins Jedi training with Yoda, while his friends are pursued by Darth Vader and a bounty hunter named Boba Fett all over the galaxy.”
Watch On: Disney+, Vudu, Google Play, Amazon Prime, YouTube, iTunes
THERE WILL BE BLOOD (2007) +
It’s arguable that Daniel Plainview might actually be a worse dad than Darth Vader, he’s certainly equally intense. “A story of family, religion, hatred, oil and madness, focusing on a turn-of-the-century prospector in the early days of the business.” Suggested pairing with a milkshake and this article: https://www.mentalfloss.com/article/526144/15-surprising-facts-about-there-will-be-blood
Watch On: Netflix, Vudu, Google Play, Amazon Prime, YouTube, iTunes
THE WRESTLER (2008) +
An end-of-the-line professional wrestler and deadbeat dad, Randy “The Ram” Robinson, “must retire, but finds his quest for a new life outside the ring a dispiriting struggle.” Mickey Rourke as a faded pro-wrestler = must see.
Watch On: Vudu, Google Play, Amazon Prime, YouTube, iTunes
MATILDA (1996)
Danny DeVito villain dad! “The story of a wonderful little girl, who happens to be a genius, and her wonderful teacher vs. the worst parents ever and the worst school principal imaginable.”
Watch On: Vudu, Google Play, Amazon Prime, YouTube, iTunes
THE SHINING (1980)
THE SHINING needs no summary or explanation. Happy Fathers Day!
You can also watch (for free, online) the terrific 35-minute documentary on the making of THE SHINING, directed by Stanley Kubrick’s then 17-year-old daughter Vivian Kubrick: https://www.dailymotion.com/video/xkq12a
Watch On: Vudu, Google Play, Amazon Prime, YouTube, iTunes
THE DEVIL’S ADVOCATE (1997)
Okay, okay, this is definitely the worst dad in the list. “An exceptionally adept Florida lawyer is offered a job at a high-end New York City law firm with a high-end boss – the biggest opportunity of his career to date.”
Watch On: HBO, Vudu, Amazon Prime, YouTube, iTunes
TWIN PEAKS FIRE WALK WITH ME (1992) #
Yikes, there’s a lot to unpack here. There’s also a COVID-19 era-appropriate hand washing scene that makes Fathers Day 2020 the perfect year for the madness that is TWIN PEAKS FIRE WALK WITH ME.
Watch On: Criterion Channel, HBO, Vudu, Amazon Prime, YouTube, iTunes, Google Play
Last Sunday, March 22nd marks the second most important anniversary in cinema history, the Lumiere Brothers held the first private film screening.
This year the 125th. The most important anniversary would follow in December (the 28th), a screening of short films for an audience at which admission was charged. People were so beguiled that several folks ran when a train approached on the screen – that’s a true suspension of disbelief! So cool. Even more amazing is that filmmakers who invented their own camera screened their own films in their own acquired venue. That day is what paved the way for spaces like the Alabama Theater and the Sidewalk Cinema and, yes, the multiplexes. We simply don’t exist in this exact capacity without that specific moment. Even more important, in one of those seats in that audience was George Melies.
I teach film along with programming it, and this is the point in my film history lecture where I’ve been known to jump up and down in excitement (not kidding). Unlike the Lumiere brothers who are incredible technicians and entrepreneurs, Melies was a f-ing film artist… well he was about to be. At the time of the Lumiere screening, he was a magician, one who was in possession of some of Houdini’s tricks and articles. Sitting in a seat in that first makeshift movie theater on that day and seeing people react to humankind’s most magical magic trick, movies, changed Melies’ life forever. He became an auteur filmmaker and the world’s first true film editor.
That day isn’t just important in film history because of what was on the screen or because people were willing to pay for it, but because of what happens when you bring people together for the shared experience of watching movies. That moment changed Melies’ life. Watching movies in a cinema has changed my life multiple times. I decided to transfer to film school sitting in a film class screening at the University Of Montevallo. I decided to move back to Birmingham sitting in a packed screening in a midtown Manhattan cinema. The Sidewalk Cinema is a dream come true for many people. It is a dream come true for me, personally, but I also truly believe it’s a dream come true for the city of Birmingham.
It’s now 12 days since we closed the cinema due to this terrible pandemic, not just a mandate, but a desire to keep everyone safe. I miss seeing everyone, I miss the excitement of announcing the upcoming lineup. I miss the cheers on bad movie night. I miss seeing people come out of The Farewell or Marriage Story with tears in their eyes. I miss meeting newcomers daily. I miss seeing people arrive in droves for a documentary about mushrooms. I miss the arguments after Uncut Gems.I miss the true magic of Valentine’s Day. I miss that anytime I feel down I can go sit in a room with strangers and friends and share a singular, yet communal moment in a darkened space – something that I think we could all use right about now. Movies in a cinema make us feel less alone because of what is on the screen and who is in the room sharing with us what is on the screen.
My birthday is approaching, April 1st, I like to think that it lands perfectly in the shadow of a Lumiere anniversary. I was planning to host a birthday happy hour at the cinema, buy everybody a round and screen April Fool’s Day (of course). I’ll miss that, but I know that the next time I have the opportunity to sit with you in a cinema, to share a drink in the lobby or sympathetic nod as you come out of a film like Portrait of a Lady On Fire or spar with you about a film like The Nightingale or The Lighthouse it will be with much greater appreciation. Which brings me to why I write this… finally!
I want you to know that I appreciate you deeply. I want you to know that Sidewalk appreciates you. If you’ve given a donation to the cinema, big or small, if your name is on a seat, if you’ve convinced a friend to come to the fest, if you’ve ever bought a ticket to a film at the cinema or the festival, or a drink at the bar, a concession item or a t-shirt or even if you’ve simply made plans to come visit in the future, you are so incredibly important to us and are the reason why we exist, the reason why we will continue to fight to exist.
Should you buy a membership or a gift card or donate now if you find yourself in a position to do so? Sure, of course.
Should you join us at the cinema as soon as the doors are open again? Absolutely.
But, more importantly, I want you to know that I can’t wait… we can’t wait to be back in the Cinema with you as soon as possible.
We miss you, we truly wish you well and we cannot wait to see you again.